Susan’s wealthy father invited the newlyweds to move into his 200-room mansion on several hundred acres of grounds halfway between Birmingham and London. But it was clear from the day they got married in November 1973 that they were destined to remain strangers throughout the seven years they would be together. They were worlds apart, opposites that attracted. But we did go out to dinner, and that’s how it all started.” I found out she couldn’t sing – and she found out I hadn’t written a song for her. However, as he recounted in his 2011 memoir Iron Man: “She came up to my house one day and it was a bit awkward. Snowdon said she was a singer Iommi offered to write for her. Iommi had recently fallen for Susan Snowdon, a “posh bird” introduced to him by Sabbath’s manager. “I have a big house with a swimming pool now, but I want one with tennis courts and a studio, so I have everything in the house and don’t have to go out at all…” To get away from everybody so he could work undisturbed, the Phantom Of The Rock Opera. “I want to move to a bigger house,” he said. “I’ve got a few tapes of Deep Purple in the car, but I prefer to listen to things like Peter Paul And Mary, Sinatra, the Moody Blues and The Carpenters.” He wants Sabbath to carve out their own hallowed place in the pantheon, and for the name Tony Iommi to be up there, where he feels it belongs, alongside those of Jimmy Page and Ritchie Blackmore, Jeff Beck and Eric Clapton.Īs he complained in an NME interview that year: “On drawing power and album sales we can compare with groups like Zeppelin and The Who, although we seldom get recognition for the fact.” He wasn’t just a heavy rock guitarist, he complained. The others still feel more comfortable sitting at the back of the class, sneering at teacher. The other members of Sabbath want it too, but not nearly as much as Iommi does. Now all Iommi wants is to get back into the studio and produce the masterpiece that will, finally, he is determined, prove that Black Sabbath are as important, as worthy of serious consideration, as the bands they have been outselling, like the Rolling Stones and Deep Purple like anyone you would care to name, with the sole exception of Led Zeppelin, who are now outselling everybody. But eight months on the road has nearly killed them. Heather Sorenson)" by Andrew Peterson SATB Choir Digital Sheet Music for "Is He Worthy? (arr.What no one knows is that a few days after the Rainbow show there’ll be a phone call that quietly cancels what should have been Sabbath’s next US tour. Heather Sorenson)" by Andrew Peterson Choir Instrumental Pak Digital Ensemble for "Is He Worthy? (arr. Heather Sorenson)" by Andrew Peterson SATB Choir Audio - Split Trax Digital Audio for "Is He Worthy? (arr. Heather Sorenson)" by Andrew Peterson and Ben Shive SATB Choir Audio - Full Performance Digital Audio for "Is He Worthy? (arr. Heather Sorenson)" by Andrew Peterson SATB Choir Digital Sheet Music for "Is He Worthy? (arr. Heather Sorenson)" by Andrew Peterson Choir Instrumental Pak Digital Ensemble for "Is He Worthy? (Chamber Orchestra) (arr. Heather Sorenson)" by Andrew Peterson and Ben Shive SATB Choir Audio - Accompaniment Only Digital Audio for "Is He Worthy? (arr. Phillip Keveren)" by Andrew Peterson SAB Choir Digital Sheet Music for "Is He Worthy? (arr. Shop Other Arrangements of "Is He Worthy?"Įasy Piano Digital Sheet Music for "Is He Worthy? (arr.
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